I write for and about theatre, in both creative and scholarly modes.
I’ve written several essays and papers on Shakespeare and actor training (including a contribution to The Routledge Companion to Actors’ Shakespeare), as well as full introductions to the plays I’ve directed for casts and creatives, and programme notes for productions. I’m currently working on a chapter on Shakespeare’s dramaturgy for an edited collection, and on a book.
I haven’t written much theatre criticism, feeling that it perhaps sits ill with making art myself; but I did see one very high-profile production a few years ago which moved me enough to write an essay on it. I posted it on Facebook, but many readers have encouraged me to publish it elsewhere; so here it is. In some ways, it’s a manifesto: